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Frank and Lu Horsfall Competition

The Frank and Lu Horsfall Competition is an annual competition for flutists in grades 6-12 sponsored by the Seattle Flute Society. Applicants must be currently studying with a private flute teacher, and both the applicant and the teacher must be members of Seattle Flute Society.

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2025 Horsfall Rules are now available! Click HERE to download. (Please be advised that rules may change between now and the application deadline. Always consult the latest version of the rules found on this page.)

Horsfall Competition Finals
Saturday, March 1, 2025 | 12:00-6:00pm

Location TBA

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THIS IS A FREE EVENT

$10 Members | $15 Non-Members

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Adam Eccleston in Recital
Sunday, March 2, 2025 | 1:30pm

Music Center of the Northwest

901 N 96th St, Seattle, WA 98103

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THIS IS A TICKETED EVENT

$10 Members | $15 Non-Members

FREE for Horsfall Competitors Plus One (1) Guest Each

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2025 Adjudicators

Upper Division: Adam Eccleston

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Adam Eccleston has gained international recognition as a flutist, conductor, radio host and educator. He has been awarded top prizes in competitions for which he was featured at Carnegie Hall. He was the Artist in Residence for All Classical Radio for two years and currently sits as Chair of the Recording Inclusivity Initiative, which brings to light music of underrepresented composers. This initiative has been featured on KGW news and the album, AMPLIFY is available on all platforms. He has conducted the Beaverton Symphony Orchestra as well as ensembles in Panama, Dominican Republic, Belize, Canada and throughout the U.S.

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Adam studied with Paula Robison, Tara Helen O’Connor, Eric Lamb and Thaddeus Watson [retired piccolo player of the Frankfurt Radio Symphony Orchestra] at the Frankfurt Hochschule für Musik und Darstellende Kunst. He currently holds two master degrees in performance and education. During his earlier years, Adam was hand selected by James Galway to study with him in Switzerland and was also selected by legendary flutist, William Bennett to study with him and his wife Mitchie Bennett in England at the age of 15. ​

Currently, Adam is a Powell Flute Artist and Principal flutist of the Portland Columbia Symphony based in Portland, Oregon. He also teaches flute and chamber music at Reed College. Mr. Eccleston plays on a 14K White Gold Powell flute and a handmade Tigerwood Powell piccolo.​

 

A firm supporter of arts education, Adam has worked extensively with many social change and is a former faculty member with the Global Leaders Institute that empowers arts changemakers to grow organizations that impact communities. Adam is devoted to youth development and works with Metropolitan Youth Symphony and has worked with the Portland Youth Philharmonic. In the summers, you can find him working with young flutists at the Flute Alliance Flute Boot Camp in Oregon. You can also find Adam reading books through the Oregon Symphony’s Storytime which can be found on Youtube.

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As a radio host and producer, you can hear Adam on the airwaves on All Classical Radio - 89.9fm interviewing talented young musicians in the community in addition to other programs on the station. The segments air every Saturday at 5pm. You can also hear Adam guest hosting for WQXR based in New York City.

 

Lower Division: Leonard Garrison

Leonard Garrison is Professor Emeritus and former University Distinguished Professor of Flute and Associate Director of the Lionel Hampton School of Music at the University of Idaho, flutist in The Scott/Garrison Duo, and Principal Flutist of the Walla Walla Symphony. A recipient of a Distinguished Service Award from the National Flute Association, an Idaho Commission on the Arts Fellowship, a President’s Mid-Career Award at the University of Idaho, and 2016 prizes as Instrumental Soloist and in Chamber Music from The American Prize, he is faculty at Blue Lake Fine Arts Camp in Michigan. He has recorded twelve critically acclaimed CDs for Albany Records, Capstone Records, and Centaur Records and been a soloist on National Public Radio’s Performance Today, winner of the 2003 Byron Hester Competition,  concerto soloist on both flute and piccolo, and a frequent performer at National Flute Association conventions.​

Garrison has served as President, Treasurer, Secretary, and Convention Program Chair of The National Flute Association. Previously, he was Instructor of Flute at The University of Tulsa, Visiting Assistant Professor of Flute at Bowling Green State University in Ohio, and Assistant Professor of Music at the University of Arkansas and at the University of Wisconsin at Eau Claire. He has performed in the Chicago Symphony (including a 2003 tour of Japan), the Civic Orchestra of Chicago, the Spokane Symphony, the Tulsa Philharmonic and Tulsa Opera Orchestra, the Scotia Festival, and the Music Festival of Arkansas.

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Garrison’s Gaston Crunelle and Flute Playing in Twentieth-Century France has been published by Oxford University Press. His edition of the twelve fantasies for solo flute by Telemann was published by Theodore Presser and was a 2022 winner of the National Flute Association’s Newly Published Music Competition. The Flutist Quarterly, Flute Talk, and other journals have published Leonard’s many articles, and he has presented at The British Flute Society, national conferences of the National Flute Association, the College Music Society, the Midwest Clinic, and the National Association of Wind and Percussion Instructors, and conferences of the National Association for Music Education Northwest Division, the Ohio Music Education Association, and the Idaho Music Educators Association.

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Leonard holds a Doctor of Music degree from Northwestern University, where he studied with Walfrid Kujala and Richard Graef. He received Master of Music and Master of Arts degrees from Stony Brook University, studying with Samuel Baron. His Bachelor of Music is from the The Oberlin Conservatory of Music, where his teacher was Robert Willoughby.

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Horsfall History

Frank H. Horsfall (1883-1968) was a prominent Pacific Northwest musician who directly or indirectly influenced a great many flutists locally and nationally. He was in the Seattle Symphony for 46 continuous seasons (35 of those as Principal), a member of the University of Washington faculty for 20 years, and a friend and colleague of many renowned artists. He was a sought-after obbligatist for stars such as Lily Pons, Lauritz Melchior, Patrice Munzel and Martha Graham. He also enjoyed playing in the Western Washington Fair Band every September for 25 years and marching with the Nile Temple Band at conventions and parades whenever his busy schedule would allow it. He had many offers to join major eastern symphonies, but chose to stay with the students and musical associations in his beloved Northwest. His greatest pleasure was in teaching. He taught for nearly 60 years and many of his students gained prominence of their own in famous orchestras across the country.

Frank Horsfall with students

Frank was born in Tacoma of English parents who had emigrated from Yorkshire in 1867. When Washington became a state in 1889 his father was a Tacoma Councilman. After the 8th grade, Frank left school and entered into a four-year apprenticeship to become a machinist. On the side, he learned to play a fife, talked his way into a fife-and-drum corps, bought a $2 piccolo and a $10 flute and began his musical career. He set aside one third of his wages for lessons and would search out any appropriate music professional who came within reach, for good teachers were hard to find. He also took several off-hours business courses in order to manage his future financial affairs. All his life, he looked for ways to learn, improve and expand his knowledge.

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In 1901 he became a journeyman machinist and worked at that trade with music as an avocation. At age 22, having also learned to play the saxophone, he put aside machinist tools to play flute and sax in local dance orchestras. The big break came in 1909 - an invitation to be a member of the original Seattle Symphony Orchestra. To augment his symphony income he taught a few lessons and played in park bands, dance bands and pit orchestras for vaudeville, ballets and musical comedies. He and two other flutists even formed an act, "The Three Magic Flutes", and toured for a short time on the Orpheum vaudeville circuit. During World War I he was a machinist at the shipyard by day and a musician by night, but when the war ended he again devoted his full attention to music.

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Lulu C. Smith (1889-1983) was born in Minneapolis of Norwegian and German parents who moved to Tacoma when she was a toddler. She became an expert pianist and Frank's favorite dancing partner. They were married in 1913 and she shared his life for 55 years thereafter, creating a loving home for their two sons and a supportive atmosphere for her musician husband. She was continuously active in school and university organizations and in music circles. Lu was a talented artist, seamstress and cook. The students who sat in her warm kitchen waiting for their lessons appreciated her cheery ways.

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Frank's long career encompassed many activities and interests. He was a business manager, real estate entrepreneur, artistic photographer and lifelong adventurer. In 1920 he and Lu went up the inside coast of British Columbia in a small outboard boat, camping on the wild beaches each night. He climbed Mt. Rainier in 1925, starting from the Longmire's residence, where Lu helped attend to those waiting for the return of the hiking party. One summer he and three other musicians hiked 300 miles through Glacier National Park. Each evening they would haul out their instruments to entertain fellow campers. When over 80 years old, he photographed Kauai's Waimea Canyon leaning out of an open helicopter.

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An outgoing man, with effervescence and enthusiasm, he was never one to hold back if the opportunity came along to make new friends. After a concert by the touring London Philharmonic Orchestra, for example, he went backstage to meet the flute section. That evening, after taking them on a tour of Seattle, they all ended up in his basement studio playing music from his library and enjoying Lu's gracious hospitality.

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In the mid-30's, he joined with the principal clarinet and oboe players of the symphony, both teachers interested in youth, to form the Seattle Symphony Woodwind Trio. They are still remembered for the humorous and educational music-appreciation programs they put on at countless school assemblies.

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Certainly he was proud of what he was able to achieve in his lifetime, but he took the most pride in the accomplishments of his students. As their lives progressed, he would follow their advancements with the interest of a parent. Julius Baker, during one visit to the Seattle Flute Society, mentioned his long acquaintance with Frank and commented, "Bill Kincaid and I envied Frank's natural rapport and easy way with young people -- he loved his students and they loved him."

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His last private lesson was given just three months before his death in March 1968, at the age of 84. Lu, blessed with good health and a bright-side philosophy, continued to lead an active life until her death in November 1983, at 94.

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The Seattle Flute Society's Frank and Lu Horsfall Competition helps perpetuate their memory and the influence they had on the musical history of the Pacific Northwest.

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-- Contributed by John Horsfall

Past Winners

Have names to add to this list? Contact seattleflute.publicity@gmail.com

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